I didn’t want this piece to be a pastiche per se of Pierre Henry’ work although I wanted to allude to it, hence the tubular bells playing Psyché Rock at the beginning. There’s also a nod to La Dixième Symphonie where I use the opening two bars from Beethoven’s Symphony No.3 in E-flat major, Op.55. I also have part of an interview Henry did running thought the piece. All the sounds on the piece are “found-sounds”
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